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Intermediate dobro lessonIn this lesson Mark explains the chop, the percussive element that holds the rhythm together in bluegrass, and how it pairs with the bass. He shows a strum chop at the tenth fret, a series of downbeat chops at the sixth fret with a relaxed left hand, and a pick chop.
Music With Mark - Chop Technique on the Dobro
“The chop is one of my favorite elements of bluegrass music.”
“The chop, it's an element that holds the rhythm together.”
“I've found that aiming for the higher strings gets more clarity in the chop.”
“If you hold it too long, you'll get noise.”
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Get free lessonsSupport free lessonsThe chop is a percussive element that holds the rhythm together in bluegrass, often found on the backbeat. Mark explains that the bass often plays the downbeat while the mandolin, dobro or fiddle plays the chop.
Mark goes to the tenth fret (the F chord), palm mutes with his right hand, and chops with his thumb aimed at the third, second and first strings. He finds that aiming for the higher strings gets more clarity in the chop.
Mark says to be sympathetic with the left hand: you're not pushing down on the strings and you're not pulling the bar off, just letting it rest there and absorb the vibrations.
You rest the bar on the strings, then pull up and pinch, pulling up on the bar ever so slightly behind the chop. Mark says if you hold it too long you get noise, and if you don't hold it long enough you get a muted, dead sound.